At different times my work has explored various aspects of publishing. Having extensive experience in computer-based design and a sound grounding in print and publication, meant my communication design practise was able to move with the times to adapt for traditional and emerging technologies.

book

book


My book production knowledge comes from studying design and later teaching design and typography to print industry apprentices. This experience proved invaluable in many situations, particularly when producing books for IAD Press, where my time spanned a period of highest output for the small publishing house.

Aboriginal publishing house

Learning first-hand about Aboriginal culture was a primary motivation to live in central Australia. But my journey really took off when I started designing and producing books for IAD Press.

The small publishing house started out as the publication department of the Institute for Aboriginal Development, producing inhouse learning materials. It evolved to become a leading publisher of Aboriginal language and culture books. A role in design and production afforded me the opportunity to learn about Aboriginal language, art and culture, through working with people who were living their culture, along with some of the leading linguists, academics, and authors in the field. As well as managing the publisher's production schedule, I directed contributing designers, photographers and illustrators, while also designing their major publications, selected covers and their marketing collateral.

Among the book covers and publications I designed were the biographies of leaders and other survivors of the changes brought about by colonisation. These included Alec Kruger’s biography of survival from the stolen generations Alone of the soaks, home-grown leader Don Ross’ biography The versatile man, and developing a revised edition for land rights and anti-nuclear activist Yami Lester’s autobiography, renamed Stockman to stirrer.


To systemise the publisher’s collection of biographies into a specific series, I resized some titles and designed the covers to encapsulate each life story. I applied similar strategies to bring renewed emphasis to other subject series in language learning and cultural understanding. A traditional culture series included the cover design for Veronica Dobson’s Arrernte Traditional Healing and redesigns for the reprints of her Anpernirrentye Kin and skin and MK Turner’s Arrernte Bush Foods.


Similar adjustments to titling and cover designs helped me to stylise, systematise and occasionally rename their growing and highly esteemed publishing list of Aboriginal language books. In most instances, the imagery I used resonated with elements of an accompanying language dictionary, while typographic styling was formalised to better place publications into their learning tiers (previously these had been presented somewhat erratically, arising as they did while the publisher became established).


Artbooks

The IAD Press project requiring my greatest attention while at IAD Press, was the design and production of Lives of the Papunya Tula Artists, a coffee table book of artists’ biographies. Literally speaking, and as a literary work, it remains IAD Press’ largest single publication and features some 600 images across 400 pages in a casebound book. It is an epic publication chronicling life stories of more than 200 painters of the seminal Western Desert art movement.


Smaller in its physical dimensions but no less so in its cultural matter, Listen deeply, let these stories in was the late Kathleen Wallace’s telling of her contemporary life and art practise, in relation to her ancient and ancestral heritage. Working on this book I engaged directly with Kathleen, her culture and artwork to design an appropriately considered document.

catalogue


Whether bringing together a collection of fashion, art or plumbing supplies, catalogue design can highlight a moment in time, lean into the future or promote the next big thing; it all depends on the showcased works and how they are presented.

Discover more about these publications on the catalogue page, or click through for a deep dive into fashion catalogues.

corporate


Forward facing or looking back? Planning or reporting? Landscape or portrait? Promotional or pragmatic? Print or digital? Copy or create?

My corporate publication designs strive to make complex ideas accessible, enhance strategic objectives, and accommodate all potential readerships. I also produce corporate documents to be simultaneously well presented digitally and in print-ready formatting.

The following covers showcase hybrid corporate documents designed for both print and online readerships. Discover a more comprehensive showcase of my corporate document designs.


I have always found that astute leadership acknowledges how the greatest net benefit flows from investing in meaningful communications, and via channels that reach beyond the corporate veil to include all stakeholders. Working at MacDonnell Regional Council from its establishing years I developed their planning and reporting documents to inform government stakeholders while effectively engaging across its workforce during a significant period of change for remote communities in central Australia.

Explore MacDonnell Regional Council corporate documents.

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The following covers represent documents exclusively designed to be printed for institutional readerships. Ironically, having evolved from traditional bookmaking principles, they are all portrait format.

journal

journal


Some documents require a format that can be revisited weekly, monthly or quarterly, say newsletters or magazines. Others need to be amenable to annual revision, such as for planners, diaries and calendars. Then there are the relative intervals of corporate planning and reporting publications. Whatever the frequency, timing itself tends to bring out the timelord in this designer.

I have long appreciated pictorial calendars. So I relished the opportunity to refresh the format of the IAD Press imprinted Jukurrpa calendars and related Jukurrpa diaries. After reviewing their publication process, I introduced improvements to the design and production flow. And, as more innovative design and editorial changes to these annual favourites appeared, sales increased.


I cut my teeth as a timelord, designing diaries and planners for a student union. Previously, I was art directing and producing their magazine in my final year at design school. Alongside my studies and with the design format established, it was a thorough exercise in the discipline of returning to a house style and reinterpreting it continually. I also found myself slipping out of class to press-check my hand-separated full colour printing experiments.

Discover the back story of my time developing the publication crow!magnus on the periodical page.

Since then, I have developed periodicals for a range of readerships, each with a unique house style that allowed each issue to appear anew. My design development of MacNews has its own story embedded in the MacDonnell Regional Council branding and collateral story. The short version is that I inherited a newsletter titled CEO Update. Progressively, I reconfigured the publication while building a solid readership in remote communities across central Australia and an ever-growing online viral readership across Australia.


Printed or digital periodic publications are great ways to infotain and communicate ideas, all the while establishing and consolidating an audience. Anytime is a good time to re-engage with these publishing activities and dance them instep with social media activities.

program


Theatrical programs can offer an extended experience and add valuable informative moments to any performance. Sold in a similar context to merchandise, a theatrical program is usually purchased inhouse to supplement the experience of an artistic activity. It serves to further inform an audience while sharing relevant moments that may be souvenired for later reprisals. Discover further examples on the program page.


Programs sold ahead of an event can also serve a role as marketing collateral. Staff of the Adelaide Festival’s Writers’ Week would often jest that during the month prior to their event, the program was the bestselling publication across the city's best bookstores.

zine

zine


During a refresher with a drawing class that regularly visited the Olive Pink Botanical Gardens in the heart of Alice Springs, this zine—inspired by the distinctive native bird calls heard among grasslands and woodlands of central Australia—just happened.